School Notes

February 27, 2010

Eng 102: The Ones Who Walk Away From Omelas

Filed under: Uncategorized — Administrator @ 3:36 am

Here’s a link to a fascinating story by Ursula K. LeGuin. Enjoy:

The Ones Who Walk Away From Omelas

February 23, 2010

Pasadena City College: English 1A

Filed under: Uncategorized — Administrator @ 8:16 pm

Wade Bradford
Email: profwade@hotmail.com
English 1A (Course #7412)
Tues / Thurs. 7:45 – 9:50pm
Room C257

COURSE DESCRIPTION:
This course emphasizes the principles and methods of essay writing, with reading and analysis of prose and literature. The primary purpose of this course is to present an acceptable and conventional way to organize expository writing, so that students can convey their ideas clearly, concisely, logically, and persuasively.

English 1A Student Learning Outcomes
After having taken this course at Pasadena City College, you should be able to:
• Write cogent, well-developed arguments that clearly articulate a thesis supported by textual evidence.
• Read critically by summarizing, analyzing, synthesizing, and evaluating college level texts.
• Select, evaluate, interpret and synthesize sources in the service of an argument.
• Document sources (print, electronic and other) in MLA style.
• Use effective strategies for pre-writing, composing, and revising of essays.
Every student will compose his or her own personal student learning outcomes (PSLOs)

PROCEDURE:
Class time will be used for discussion, analysis, and evaluation of assigned readings and for writing and speaking activities concerning various rhetorical concepts and strategies. Class participation is necessary for student understanding and progress. There will be at least three “major” papers, numerous journal entries, a mid-term exam, and a final exam
Students are expected to have read the assignments BEFORE class discussion of them and to participate in the discussions. Quizzes may be used to determine how actively the students have read the material.

ATTENDANCE:
Regular class attendance assures that students will not miss assignments and will receive assignment instructions firsthand. After three absences, each unexcused absence may cost students up to 2% of their grade. After four unexcused absences, I reserve the right to drop you from the course.

GRADES:
Many students often wonder: “How do I get an A?” In English you’ll find the grading system is quite subjective. Unlike math or science, there isn’t always a right or wrong answer. However, there are some basic requirements to “good writing.” Do your best to incorporate the following:

• Clear, strong, purposeful thesis
• Appropriate support and research
• Logical / persuasive argumentation
• Compelling introduction and conclusion
• Supportive details and specific examples
• Genuine interest or enthusiasm for one’s subject

ASSIGNMENT BREAKDOWN:
Workshops / Participation: 10%
Midterm In-Class Essay: 10%
Final In-Class Essay: 10%
Oral Presentation: 10%
Reader Response Essay: 10%
Argument Essay: 10%
Literature Analysis: 20%
Research Paper: 20%

PLAGIARISM AND CHEATING:
You must not steal the writing of others. Even cutting and pasting a single sentence is an act plagiarism. If you quote from another source, you must give reference to that source; otherwise, you are being highly unethical. Students who are caught plagiarizing (or cheating in some way or another) will be removed from my classroom. The English Department will then be notified and trouble will ensue. In short, think for yourself; write for yourself.

E-MAIL AND LATE HOMEWORK:
If you have any questions or comments, I’d love to hear from you. However, be advised: I do not accept work through email. It’s a big headache. You are responsible for bringing your work to class on time.
If you do not turn your paper in on time, I may still accept it. However, late papers are subject to penalty. I reserve the right to reduce the grade by fifty percent. Therefore, you are highly encouraged to turn your work in on time.

WRITING CENTER:
In order to pass this class, you must be concurrently enrolled in English 900, Writing Center Lab, which requires you to spend one hour each week in the English Department’s Writing Center (located in C341 and 345). The lab is designed to both supplement and complement the work we are doing in the course. Faculty and peer tutors will offer one-on-one and group teaching activities, and the lab also offers computer-assisted tutorial software that will address grammar, mechanics, and general reading and writing skills. You are only allowed two absences from the Writing Center during the course of the term. Note: You must bring your Lancer card, registration slip, and 900 Assignment sheet every time you attend the lab.
The English Division policy states that any student who is not already enrolled in one section of English 900, The Writing Center, by Monday of the fourth week of the semester, will be dropped from English 1A. There will be no exceptions. This means you might need to enroll in a section of the Writing Center that is not convenient for your schedule. At some point you may be able to switch sections.
If you are experiencing difficulty in any aspect of English, please do not hesitate to seek assistance from me or the many resources available on campus. It is an excellent idea to take advantage of the tutors in the writing center during your hour in English 900 every week!

February 17, 2010

Eng 102 – Reading Schedule

Filed under: Uncategorized — Administrator @ 6:47 pm

Feb 18th: Character Analysis Workshop
Discuss: “The Story of an Hour” and other stories.

Feb 22nd: Theme Analysis Workshop
“A Rose for Emily” by William Faulkner (p. 155 – 164)
“In Exile” by Anton Chekhov (p. 111 – 119)
“The Furnished Room” by O. Henry (p. 208 – 214)

Feb 24th: Symbolism Workshop
“A Hunger Artist” by Franz Kafka (p. 222 – 230)
“The Chrysanthemums” by John Steinbeck (p. 437 – 448)

Mar. 1st: “The Yellow Wallpaper” by Charlotte Perkins Gilman (p. 172 – 188)
“The New Dress” by Virginia Woolf (p. 492 – 500)
Also Read “The Ones Who Walk Away From Omelas” (Online)

Mar. 3rd: “Uncle Ben’s Choice” by Chinua Achebe (p. 3 – 7)
“A Very Old Man with Enormous Wings” by Gabriel Garcia Marquez
(p. 165 – 171)
“”Everyday Use” by Alice Walker (p. 459 – 468)

Mar 8th: “A Good Man is Hard to Find” by Flannery O’Connor (p. 372 – 388)
“The Cask of Amontillado” by Edgar Allen Poe (p. 410 – 417)

Mar 10th: Mid Term (Short Answer Essay)

Mar 15th: “I’m A Mad Dog Biting…” by Louise Erdich (p. 148 – 154)
“Girl” by Jamaica Kincaid (p. 231 – 232)
“Digging” by Beth Lordan (p. 251 – 264)

Mar 17th: Draft Day – Peer Review
Select and Read a Story that has not been discussed yet.

Mar 22nd: “The Open Boat” by Stephen Crane (p. 123 – 147)
“The Things They Carried” by Tim O’Brien (p. 354 – 372)

Mar 24th: Short Story Analysis Due
“Cathedral” by Raymond Carver (p. 84 – 99)
“The Swimmer” by John Cheever (p. 99 – 110)

Mar 29th: Poetry Analysis Workshop
Robert Frost Poems: (p. 119 – 131)
Edgar Allen Poe Poems (p. 244 – 249)
Mar 31st: Emily Dickinson Poems (p. 88 – 92)
Walt Whitman Poems (p. 325 – 334)

April 5th – 11th: SPRING BREAK

April 12th: Edmund Spenser Poem (p. 288)
Andrew Marvell Poem (p. 220)
John Donne Poems (p. 93 – 100)
Ben Jonson (p. 177 – 178)

April 14th: William Blake Poems (p. 35 – 40)
Samuel Taylor Coleridge Poems (p. 66 – 73)
John Keats Poems (p. 179 – 188)

April 19th: Christina Rossetti Poems (p. 271 – 272)
Robert Browning Poems (p. 48 – 50)
Lord Tennyson Poems (p. 304 – 309)
Lewis Carroll Poem (p. 61)

April 21st: Thomas Hardy Poems (p. 140 – 143)
Gerard Manley Hopkins Poems (p. 160 – 163)
W. B. Yeats (“The Lake of Innisfree” p. 362)
Wilfred Owen Poem (p. 234)

April 26th: Dylan Thomas Poem (p. 313)
Sylvia Plath Poems (p. 237 – 243)
E. E. Cummings Poems (p. 77 – 79)
Langston Hughes Poems (p. 172 – 174)
Wallace Stevens Poems (p. 294 – 302)
Allen Ginsberg Poem (p. 133)

April 28th: Poetry Analysis Paper Due
William Shakespeare Poems (p. 274 – 278)
Selections from Hamlet

May 3rd: Introduction to Drama
“Trifles” by Susan Glaspell (p. 317 – 331)
Begin Video – The Importance of Being Earnest

May 5th: Finish Video – The Importance of Being Earnest

May 10th: Discuss Act One of A Doll’s House

May 12th: Discuss Act Two of A Doll’s House

May 17th: Discuss Act Three of A Doll’s House

May 19th: An Overview of Greek Tragedy
(Optional: Read Oedipus the King)

May 24th: Choose One:
Act One of Death of a Salesman
OR
Act One of Fences

May 26th: Finish Discussion of Death of a Salesman and Fences
Preparing for the Final Exam

May 31st: NO SCHOOL

June 2nd: Final Exam

February 10, 2010

Eng 102 – Reading Assignments

Filed under: Uncategorized — Administrator @ 7:45 pm

Read the following short stories:

The Story of an Hour by Kate Chopin

The Necklace by Guy de Maupassant


The Lottery by Shirley Jackson

In your journal keep track of the names of each main character (protagonist). At the end of each story, write a few sentences about whether or not you feel sympathy for the main character.

Don’t forget to get your copy of The Seagull Reader. If it is unavailable at the Canyon Bookstore, you can check out these online resources:

Barnes and Noble

Amazon

February 8, 2010

Eng 102: College of the Canyons (Spring 2010)

Filed under: Uncategorized — Administrator @ 6:35 pm

Eng 102: Introduction to Literature
Prof. Wade Bradford
Mon & Wed: 12:50 – 2:10
Room: CCC 301

Email: profwade@hotmail.com
Blog: www.wadebradford.com/blog5

IMPORTANT: DO NOT TEXT MESSAGE DURING CLASS.
English 102 builds on the critical thinking, reading, and writing practice begun in English 101. This class includes critical analysis, interpretation, and evaluation of literary works, along with writing of argumentative essays about literary works.
The Student Learning Outcomes for English 102 are:
• Compose well-structured, grammatically-correct essays which assert the reader’s analytical interpretation of a literary work and support that interpretation with convincing textual evidence
• Analyze and evaluate elements of reasoning in college-level texts
To achieve these goals, students will learn to:
• Identify the formal and stylistic aspects of specific literary genres, such as the dramatic monologue or revenge tragedy
• Relate an author’s use of literary devices, such as diction, tone, setting, character, and figurative language, to the theme and/or literary, social/historical context of a given literary work
• Compare one’s own values and assumptions to those of the text
• Create a thesis that states the reader’s interpretation of a literary work and support that interpretation with convincing textual evidence
• Revise their own work with attention to issues of organization, clarity, mechanics, and style based on peer appraisal of and self-reflection on composition strengths and weaknesses
• use effective transitions within and between paragraphs to connect ideas logically
• Analyze and evaluate elements of reasoning, such as logical fallacies and value assumptions, in written texts.
In this course, students can expect to write formal essays outside of class totaling 6,000-8,000 words.
PROCEDURE:
Class time will be used for discussion, analysis, and evaluation of assigned readings and for writing and speaking activities concerning various rhetorical concepts and strategies. Class participation is necessary for student understanding and progress. There will be at least three out-of-class papers, numerous in-class writing activities, a mid-term exam, and a final exam. Students are expected to have read the assignments BEFORE class discussion of them and to participate in the discussions.
ATTENDANCE:
Regular class attendance assures that students will not miss assignments and will receive assignment instructions firsthand. Therefore, to be prepared for exams and essays, to participate in group exercises and quizzes, students should attend class as much as possible. Excessive absences may result in a poor grade.
ASSIGNMENTS:
• Participation: 10%
• Quizzes / Mini-Exams 10%
• Mid Term In-Class Essay 10%
• Oral Presentation: 10%
• Short Story Analysis 10%
• Poetry Analysis 20%
• Drama Analysis 20%
• Final In-Class Essay: 10%
REGARDING PLAGIARISM:
You must not steal the writing of others. Even cutting and pasting a single sentence is an act plagiarism. If you quote from another source, you must give reference to that source; otherwise, you are being highly unethical. Students who are caught plagiarizing will receive a zero on the assignment. Plagiarism may also result in academic probation and/or expulsion.
LATE HOMEWORK:
If you do not turn your paper in on time, I may still accept it. However, late papers are subject to penalty. I reserve the right to reduce the grade by fifty percent. So please, turn in your assignments on time.

BOOKS:
The Seagull Reader –Literature 2nd Edition
(A three volume set containing: Stories, Poems, and Plays)

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